Ran across this doc in the library. An excellent and lighthearted exploration of
the Star Wars phenomenon, specifically the fans' love-hate relationship with
its creator, George Lucas. More than just
a “those crazy fans” kind of story, this film touches on enough cultural and even
spiritual issues to fuel many long discussions.
The central theme is how Lucas’ brainchild grew to be such an important
presence in so many people’s lives that it came to dominate his own. The film covers how Lucas has dealt with the
backlash of his own success. How an
artist’s work can be embraced so completely by the public that it becomes
questionable who owns it. How his subsequent
decisions about storylines, characters (Jar-Jar Binks!) and alterations to the
original work (Han shot first!) have created controversy, stirred passionate
debate and even inspired resentment toward the creator.
Musicians deal with the same issues of ownership and revision when it comes to their recordings. Some professional songwriters
never feel their work is finished, even after it’s a radio hit. Some music artists feel the need to put out
remaster after remix after re-recording.
In some cases, it’s simply a means to capitalize on previous success,
but sometimes it’s because the typical artist is never quite satisfied with his
own work. Someone in the film quotes the
old saying, “Art is never finished, only abandoned.” The question the doc pursues is “at what
point is an artist allowed to change his work, when it means so much to his
audience?”
Another point the film brings up is how Star Wars is so much
more than an artistic and marketing triumph; it has endowed countless viewers
with a vital underlying philosophy by which to live. It has become their religion. This is not an understatement (at least for
some), and it is not altogether accidental.
Lucas stated early on that one of his intentions was to create a new
myth; one that replaces the religions that had been discarded (to a great extent) by modern
man.
I am a Christian believer, a creative person, and though I’m
nowhere close to being one of THOSE fans, I did enjoy the films (the original
three, anyway; the prequels were prime examples of the law of diminishing
returns). So I feel I understand the
need for a guiding myth, and I can see how a film series could provide one. I have to admire the effectiveness of Star War
in this aim, even as I shudder to think how it replaces genuine faith in some
people’s hearts and minds.
The word “myth,” by the way, does not necessarily mean “fantastic”
or “made up.” Stories, metaphors, and
parables, which fill the Bible, are kinds of myth. As C.S. Lewis pointed out, Christianity
is based on a myth, but it’s a myth that is true—the story that explains the meaning
of our lives.
The Star Wars mythology does contain much truth that is part
of my Christian worldview, as any good story does: the ongoing struggle of good
vs. evil, how personal sacrifice is often necessary to achieve a larger goal, how
“evil people” are fallen good people, how we can have a legacy and a destiny that
define the path we are on even as we labor in our current mundane situation,
how we can benefit from listening to those who have gone before us…the list is
quite long. I can affirm these truths
even as I recognize that what is missing is the notion that a Person, not a
faceless Force, is the central crucial element in the universe. Having (as I
believe) the Key to the truth of life itself, I can unlock that truth to be
found in everything around me, even (or especially) in other mythological attempts
to explain the world. So as long as I view with discernment, I, too, can be
enriched spiritually by these films.
Many people featured in the documentary, including Lucas
himself, acknowledge the irony that Lucas, who started out as a rebel of sorts
against the powerful industry types that would limit his creative output, has
in fact become a bigwig himself (and not necessarily a popular one at that), and exerts a notable amount of control over
the Star Wars legacy (the Expanded Universe). Like Anakin became Vader, the very thing he would have resisted. For this reason, some point out that the
films have become semi-autographical.
Fans (including Francis Ford Coppola) who lament that Lucas has
yet to get beyond the Star Wars world to make other films may take comfort in where
the storyline leaves off in The Return of the Jedi. Vader joins his son Luke in battling the evil
emperor, and it ends in reconciliation and redemption. There is a sequel in the works (Episode VII), but with Disney
at the helm and Lucas serving as creative consultant, and given the astonishing level of financial and legal obligations at stake, I have my doubts that life will
imitate art further in this case. But by the time it comes out, I doubt there'll be many superfans left to care; at least, not as much as they did in the beginning, in a galaxy far, far away.
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